Pros: My first impression of the layout for the entire program was that it was a similar set up to what Premiere Pro does with workspaces. I’ve also assigned ratings to each category based on how I think it stacks up to other NLE’s out there, but also how it would compare to what I would consider the “perfect” editing program. I tried to be as objective as possible and keep an open mind throughout, so that I wouldn’t blame DaVinci for not being something that I’m already familiar with.
In no way is this a comprehensive summary of everything the program can do, but I hope it will inform you on what some of the positives and negatives were for me while using the program. The following is my experience using DaVinci Resolve 16 through every phase of this project and what I’ve learned along the way. Having never really used the program before, we decided to see what the buzz was about and give it a try on a recap video that covered the 2019 NFL Draft event in Lock 3 this past April. DaVinci Resolve has primarily been known throughout the industry as the preferred program for colorists, due to its superior capabilities of correcting and grading color. Lately though there’s been a lot of buzz about a program that’s been climbing the ranks of NLE’s. Some prefer Final Cut, some prefer AVID and others like myself prefer Adobe Premiere Pro. There are also quite a few options when it comes to Non-Linear Editing (NLEs).
How should this piece start out? What should the audience be hearing while they’re watching this? How should the color of this piece look? Perhaps the biggest post-production decision of all is what kind of editing program should be used? Normally, this isn’t one of the burning questions asked after every shoot because editors tend to stick to their favorite non-linear editing program every time. After recording, then all post-production decisions must be made. What kind of camera should you use? How should you record audio? How should the scene be lit? And those are only some of the choices that must be made in pre-production.
In today’s world, every stage of the video production process is crowded with a plethora of tools to choose from.
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